GEDANKENPOSITION is about balance, support and solidarity.
The mirrors are a direct reference to those found in the more recent jail cells of the former Stasi Prison in Hohenschönhausen. Former prisoners recall how important the presence of the mirror was in indicating denied reality and the passing of time. Continue reading „GEDANKENPOSITION“
THE FOLLOWING QUIET IS BROKEN BY CHEERING FROM THE CROWDS, THE BIRDS FLEEING TO THE SKY AND HUGE CLOUDS OF DUST WAFTING SLOWLY AWAY Continue reading „THE FOLLOWING QUIET IS BROKEN“
FALE NOVAMENTE, FALE COMO CHUVA – SPEAK AGAIN, SPEAK LIKE RAIN is a participative project on spoken words as cultural form of activism moreover on urban interstices seen as chances and resources through the practice of Sarau and Slam poetry, which engage the participants to debate the right to the city, to celebrate urban life, to embrace visions and concrete’s surfaces. Continue reading „SPEAK AGAIN, SPEAK LIKE RAIN“
A collage of datas, thoughts and visions report to the ideas and projects of urban planning, realities of worldwide trading till fictional neighborhood builded for military purposes. Continue reading „THE FOURTH WALL“
The origin of the site-specific, solo exhibition ONE SHOT is an investigation into a image sourced from the U.S. Bureau of Reclamation entitled All Female Survey Crew taken in 1918, during the works for the Mindoka infrastructure Project in Idaho.
The work’s group titled INTERSTICES/CRACKS is related to the broad comprehension of living space in relation with infrastructures and their interstitial spaces.
NOTES ON THE WESTWARD JOURNEY is a work composed by a video and five artist’s books. Here I deal specifically with women’s diaries of migration during the so called Westward Journey in the US, between 1841 and 1867.
A map can be described as a two dimensional interpretative representation of an area. Nevertheless the map stands for a reading of existing spaces in which people are moving toward, following routes, necessities and needs, desires and thoughts. MAPPING IT OUT is a participative project. A map of La Havana after the point of view and the experiences of the people: a representation of what for me means reality.
For this series of works I employed a slow and meticulous process of active but nevertheless approximate mapping of a city’s actual existing systems and dynamics. In its core the project surveys urban structures as places that oscillate between desire and repulsion, between basic needs/necessities and the ultra-de-luxe, in which a city’s accelerated ow is perceived as the last place of the social.
Continue reading „LANDOLOGY. GLIMPSES OF A DIVERSITIES’S POLITIC.“
Caracas’s urban structure is the focus of a cartographical representation of Caracas composed of drawings, prints, site-specific installations and an artist’s book as a catalog of the exhibition.
Continue reading „LANDOLOGY. FALLING BACK TO CARACAS FROM THE PERIPHERIES OF MY FIELD.“
A dystopic intuition on new geographies, this installation follows a project about water resources and provisions, specifically after the observation of water reservoirs in California, where the waters are protected from the sun rays through black plastic spheres. Not really the ideal representational objects for an ecological environment.
The project titled ABOUT DISTANCE AND DENSITY expand upon concepts like Landscapes, Land‘s survey and the perceptual space in always changing urban environments.
Continue reading „ÜBER DISTANZ UND DICHTE / ABOUT DISTANCE AND DENSITY“
AAA The Desert Series is a compilation of works, realized between 2012 and 2014, and related to the construction of fictional territories starting from existing ones. Drawings, installations, printed works, collages and artist’s books compose a narration on unbounded landscapes coming out from the relation between micro and macro visual elements.
HOW TO LIE WITH MAPS is a series of installations made with black aluminum foil stripes, which build nets-like maps. The work is inspired by the same-named book of Marc Monmonier and on the possibility to create a plausible territory from the perception of an existing one.
Proceding the investigation on the line between real and fictive territories, the series of works and the artist’s book HOW TO FIND PLACES: OR MY PSEUDOSCIENCE OF WHEREABOUTS. focus on the manipulation of real elements in order to construct a simulated territory.
Continue reading „HOW TO FIND PLACES: OR MY PSEUDOSCIENCE OF WHEREABOUTS.“
The walk moves toward the Alexanderplatz, following the narrative path of Alfred Döblin’s novel Berlin Alexanderplatz.
Continue reading „WALK WITH THE ARTIST * BERLIN ALEXANDERPLATZ“
Realized for the exhibition NINES (Dolls) at the Canèm Gallery, Castellòn
installation with 89 ceramic elements – 2012
Installation site specific – 2012
Work commisioned by Lithops, research center for electric batteries, Italy
Remind me then to give you the instructions on how to get lost is a mixed media compilation of works: black aluminum thread installation, drawings, collages and an artist’s book based on the construction of fictional spaces and geographies derived from the perception and the research on real landscapes.
Continue reading „REMIND ME THEN TO GIVE YOU THE INSTRUCTIONS ON HOW TO GET LOST“
It is not a toy (It is a failure) – paradigm #1
objects for the social context * 2011
shopping cart, plastic bags, tape
N Main street, Los Angeles
Realized during the residency at Raid Projects, Los Angeles
Patterns. Trees in Lincoln Heights is an installation based on infrastructural objects observed in California during a residency project in 2011. Continue reading „PATTERNS“
In the summer of 2007, I was in Belgrade for an artist residency. During a visit to the Novo Groblje Cemetery, I had the fortune of meeting Ms Milka Janszoon, an elderly Australian lady who was travelling with her son Vladimir. They were there to get to know the hometown of Rile Lesov, the man who was Vladimir’s father and who had been her partner and until he disappeared on the 3rd of April 1964 in the F5 Tornado at Wichita Falls, Texas. Rile Lesov was one of seven people who died in that tornado.
multi media installation * 2010
Compared to portrayals I have been working on in the past, in which my attention was focused on the way self-representational forms of a certain subject mutate within an heterogeneous context like Facebook, in The Furno’s Book the experimentation field is extended to a more dynamical and contemporary objet trouvé. By way of facebook I have begun to interact, through the fictional identity of Mrs Furno, with unknown people which shared Furno as same surname.
Video project for the public space. Pescara, Italy.
Three video works about public space and living context in different cities (Berlin, Shanghai).
SPAZIO MONO #1 is a project of UNOaUNO studio – Arch. Umberto Ulisse and Marino La Torre –
* 2010
„Using found photographs as starting point Irina Novarese reflects on the perceptive, associative and not least physical space that is identity. Working on these topics she interacts with other persons in order to create fictional biographies that she defines as third subject. Based on the theoretical basis of her practice, the video Inter_Subject becomes a new experiment defining those fictional places in process.“
INTER_SUBJECT * 2009
Video DVD 7’40“ * 7/7 copies with english subtitles // stereo
The installation is an experiment based on our perception and reaction in front of a portrait of an unknown person and the interaction between dif ferent identities; the photographical representation of an existing identity and the plausibility of a fictive one.
multimedia installation * 2007-08
Realized for the Master Thesis at the Institut for Art in Context, UdK Berlin.
Continue reading „DAS DRITTE SUBJECT ODER: WER WAR FRAU FURNO?“
Site specific temporary installation for the exhibition Palm Fiction at Berlin Stralau – 2008
The Palm is a Collage realized directly on the wall. All the images are part of copies, of photos from the german colonialists: after the research-keywords “work and Oilpalm”.
K.G. Kollektives Gedächtnis Series
* 2005-2008
In 2000 I found about 500 portraits of unknown people in Italy, probably the work of a professional photograph. During the last years I produced many installations and videos realized with these photos. I describe these works as experiments about the interaction between different identities and memories. I define this as the “third subject”, meaning the outcome of the interaction between two or more other subjects. The associative system of the mnemonic structure of an observer, facing an unknown portrait reacts in producing an ascription of information about the possible identity of the person in the picture.
Continue reading „K.G. SERIES“
Site specific and temporary installation realized during the Residency at Foundation Spinola Banna for the Arts,
Turin * 2007
Collage with B/W Xerocopies on wall
Dimensions: 17 x 3 mt.
Continue reading „LA PRIMA IMMAGINE“