Autor: irina

MAPPING IT OUT

A map can be described as a two dimensional interpretative representation of an area. Nevertheless the map stands for a reading of existing spaces in which people are moving toward, following routes, necessities and needs, desires and thoughts. MAPPING IT OUT is a participative project. A map of La Havana after the point of view and the experiences of the people: a representation of what for me means reality.

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LANDOLOGY. GLIMPSES OF A DIVERSITIES’S POLITIC.

For this series of works I employed a slow and meticulous process of active but nevertheless approximate mapping of a city’s actual existing systems and dynamics. In its core the project surveys urban structures as places that oscillate between desire and repulsion, between basic needs/necessities and the ultra-de-luxe, in which a city’s accelerated ow is perceived as the last place of the social.

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WE ARE THE PLAGUE

A dystopic intuition on new geographies, this installation follows a project about water resources and provisions, specifically after the observation of water reservoirs in California, where the waters are protected from the sun rays through black plastic spheres. Not really the ideal representational objects for an ecological environment.

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SHADOWBOXING

A project of Bastian Aarler & Irina Novarese

Shadowboxing is an exercise used in training, especially, as the name implies, in boxing. It is used mainly to hone the muscles and reflexes. In shadowboxing, a sole participant throws punches at an imaginary opponent. The name was coined because boxers would practice by using their own shadows or a mirror as a sparring partner. An interesting paradox arrises from the notion of a fight against oneself, as it is impossible to win or lose the match, the only certain result being that one will tire oneself out. Incidentally, in psychology shadowboxing refers to the process of overcoming a negative self-image which, for example, prevents one from achieving success.

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AAA THE DESERT SERIES

AAA The Desert Series is a compilation of works, realized between 2012 and 2014, and related to the construction of fictional territories starting from existing ones. Drawings, installations, printed works, collages and artist’s books compose a narration on unbounded landscapes coming out from the relation between micro and macro visual elements.

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HOW TO LIE WITH MAPS

HOW TO LIE WITH MAPS is a series of installations made with black aluminum foil stripes, which build nets-like maps. The work is inspired by the same-named book of Marc Monmonier and on the possibility to create a plausible territory from the perception of an existing one.

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HYDROMEMORIES

Hydromemories is an interdisciplinary artistic project on the theme of water that originated from the collaboration of an international group of artists in cooperation with the group Engineers without Borders. Hydromemories is a nomadic and flexible project, a laboratory of images which brings together international artists who have dedicated a part of their research to the theme of water.

First exhibited in a former swimming pool in Berlin, then in the frame of the Berlin Water Fair; and at the Museum of Contemporary Art in Caracas, the 2012 exhibition in Turin was hosted in an annex of the Museum of Natural Sciences.

Through installations realized by some of the artists, Hydromemories concretely supports the work of Engineers without Borders, as well as other NGO’s working on hydric resources, whose projects employ innovative yet simple engineering methods in order to provide much needed low cost solutions to water access: such as the construction of water tanks in the rural community of Kagera in Tanzania and the rehabilitation of Water Wells in Niger.

www.hydromemories.com

THE GLORIOUS FLIGHT OF RILE LESOV

In the summer of 2007, I was in Belgrade for an artist residency. During a visit to the Novo Groblje Cemetery, I had the fortune of meeting Ms Milka Janszoon, an elderly Australian lady who was travelling with her son Vladimir. They were there to get to know the hometown of Rile Lesov, the man who was Vladimir’s father and who had been her partner and until he disappeared on the 3rd of April 1964 in the F5 Tornado at Wichita Falls, Texas. Rile Lesov was one of seven people who died in that tornado.

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THE FURNO’S BOOK

multi media installation * 2010

Compared to portrayals I have been working on in the past, in which my attention was focused on the way self-representational forms of a certain subject mutate within an heterogeneous context like Facebook, in The Furno’s Book the experimentation field is extended to a more dynamical and contemporary objet trouvé. By way of facebook I have begun to interact, through the fictional identity of Mrs Furno, with unknown people which shared Furno as same surname.

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SPAZIO MONO #1

Video project for the public space. Pescara, Italy.
Three video works about public space and living context in different cities (Berlin, Shanghai).
SPAZIO MONO #1 is a project of UNOaUNO studio – Arch. Umberto Ulisse and Marino La Torre –
* 2010

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INTER_SUBJECT

„Using found photographs as starting point Irina Novarese reflects on the perceptive, associative and not least physical space that is identity. Working on these topics she interacts with other persons in order to create fictional biographies that she defines as third subject. Based on the theoretical basis of her practice, the video Inter_Subject becomes a new experiment defining those fictional places in process.“

INTER_SUBJECT * 2009

Video DVD 7’40“ * 7/7 copies with english subtitles // stereo

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MEMOART

MemoArt artistic group: Dominique Hurth, Irina Novarese, Zala Unkmeir, Sabe Wunsch in cooperation with Katja Jedermann.
Conception and Research of the exhibition Forced sex labour in Nazi concentration camps.
In collaboration with Institute for Art in Context, UdK Berlin, Ravensbrück National Memorial, Dr. Robert Sommer, Dr. Christl Wickert (2006-2009)

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K.G. SERIES

K.G. Kollektives Gedächtnis Series
* 2005-2008

In 2000 I found about 500 portraits of unknown people in Italy, probably the work of a professional photograph. During the last years I produced many installations and videos realized with these photos. I describe these works as experiments about the interaction between different identities and memories. I define this as the “third subject”, meaning the outcome of the interaction between two or more other subjects. The associative system of the mnemonic structure of an observer, facing an unknown portrait reacts in producing an ascription of information about the possible identity of the person in the picture.
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IL MAGNETE

Interdisciplinary artistic project and group: Marco Callea, Irina Novarese, Alessandro Quaranta, Gianluca Sudano
2001-2005
The artistic project Il Magnete was grounded in 2001 from the necessity to create alternatives art spaces organised by artists. Together with Marco Callea, Gianluca Sudano and Alessandro Quaranta we started a series of events like exhibitions, lectures and a series of printed issues concerning the principal items broadened during the events.
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